Ideologically, Katzenjammer Kabarett borrows their aesthetic ideas from a similarly diverse body of artistic thought-Dadaism, fin de siecle Decadence, Futurism, Symbolism, and post-modernism all seem to have left their mark on the band's two albums. Musically, the group mixes cabaret, deathrock, synthpunk, and goth conventions with cockeyed abandon-post-punk guitar tones, Weimar-inspired piano, and Euro-electro sythesizers all manage to find a place in the sonic palette. Katzenjammer Kabarett doesn't transcend genres so much as explode them wholesale. Thus, the music composed by Klischee, supported by Herr Katz's lyrics and Mr Guillotine's how so necessary pragmatism, creates an alchemy with the carefree Mary Komplikated's voice and theatrical singing which embodies all the magic, the cynism and the absurdity of that hangover cabaret. To sum up, a considerable part of their work comes from second-hand elements, borrowed from preceding movements and styles, but whose signs have been systematically changed. Their compositions, by the means of varied and various collages, are an attempt to reveal the peculiar atmosphere one could have found in early avant-garde circles. Indeed, the idea of the cabaret as they conceive it, must be linked to the conception the founders of the Cabaret Voltaire, or of other European artistic avant-garde cabarets of the 1910s-1920s. Katzenjammer Kabarett is a young and promising band from Paris, consisting of Mary Komplikated, Herr Katz, Klischee and Mr Guillotine. This Parisian act is fronted by the charming, seductive Mary Komplikated. Referring to themselves as “Deathrock Cabaret,” they might be more correctly classified as post-punk cabaret, for their influences can be found in styles from deathrock, baroque, new-wave, electronic to classical.
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